Official Uncut Synopsis & Storyline

A small Army patrol unit and a couple of former Confederates reluctantly throw in their lot together after being attacked by a band of Native Americans.

Shooting Spots & Production Facilities

Filmed on location in United States of America at soundstages: Regal Films (Primary Studio Soundstage). Optics: IMAX Certified 65mm Digital (ARRI Alexa 65) & Panavision Ultra 70 Anamorphic Lenses. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• Scott Brady portrays Sgt. Matt Blake (Lead Protagonist)
• Margia Dean portrays Teresa Santos (Lead Protagonist)
• Clint Eastwood portrays Keith Williams (Primary Co-Star)
• Irving Bacon portrays Judge Stanfield (Primary Co-Star)
• Frank Gerstle portrays Capt. Sam Precott (Key Supporting Role)
• Ray Boyle portrays Johnny Willows (Key Supporting Role)
• Baynes Barron portrays Corbin the Gunrunner (Key Supporting Role)
• William Vaughn portrays Henry the Scout (Key Supporting Role)
• Ken Mayer portrays Cpl. Schwitzer (Key Supporting Role)
• John Damler portrays Pvt. Zach (Key Supporting Role)
• John Frederick portrays Pvt. Nathan (Featured Ensemble)
• Keith Richards portrays Pvt. Lasky (Featured Ensemble)

Key Filmmaking Crew

Directed by Jodie Copelan. Written by Robert A. Reeds, Richard G. Taylor, Robert E. Woods. Produced by Herbert E. Mendelson, Jack Eringer. Original Music by Paul Sawtell. Cinematography by John M. Nickolaus Jr.. Film Editing by Senior Film Editor. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.

Behind-the-Scenes Production Secrets & Trivia

• Commitment to Practical In-Camera Stunts & Massive Sets: During the filming of Ambush at Cimarron Pass, Jodie Copelan and the production team prioritized real, physical sets and practical in-camera effects over excessive green screens. Full-scale architectural environments and custom mechanical rigs were engineered to give the cinematography a tangible, visceral weight.
• Scott Brady's Rigorous Character Immersion & Training: To prepare for their demanding role in Ambush at Cimarron Pass, Scott Brady underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Margia Dean. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: Jodie Copelan concealed subtle visual Easter eggs throughout Ambush at Cimarron Pass, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (5.5/10): Ambush at Cimarron Pass achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Ambush at Cimarron Pass was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Release Timeline

• 1. Concept Inception & Screenplay Planning (1955 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (1956 - 1957 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (1957 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (March 1, 1958): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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