Official Uncut Synopsis & Storyline
A former government assassin flees a mind-control program in the Philippines, pursued by his ex-partner, the local police and Asian gangsters.
Shooting Spots & Production Facilities
Filmed on location in United States of America at soundstages: Mid-America Pictures (Primary Studio Soundstage), Hollywood West Entertainment (Primary Studio Soundstage), Aquarius Releasing (Primary Studio Soundstage). Optics: IMAX Certified 65mm Digital (ARRI Alexa 65) & Panavision Ultra 70 Anamorphic Lenses. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Leslie Nielsen portrays John Trevor (Lead Protagonist)
- Gary Lockwood portrays Frank Lassiter (Lead Protagonist)
- Nancy Kwan portrays Lee Su (Primary Co-Star)
- Vic Silayan portrays Chief Insp. Cruz (Primary Co-Star)
- Vic Diaz portrays Alok Lee (Key Supporting Role)
- Galen Thompson portrays Carl Wagner (Key Supporting Role)
- Carlos Salazar portrays Insp. Ortiz (Key Supporting Role)
- Pamela Parsons portrays Lynn Walker (Key Supporting Role)
- Maurice Downs portrays Hook (Key Supporting Role)
- Franco Zarrate portrays Lung Set (Key Supporting Role)
- Louie Florentino portrays Ramon (Featured Ensemble)
- Henry Salcedo portrays Business Hood (Featured Ensemble)
- Mark LeBuse portrays Herman Kitolis (Featured Ensemble)
- Ibarro Santos portrays Hotel Clerk (Featured Ensemble)
- Romy Blanco portrays Alok's Hood (Featured Ensemble)
- Dante Javier portrays Alok's Hood (Featured Ensemble)
- Amondo Arce portrays Alok's Hood (Featured Ensemble)
- Vultures Stuntmen portrays Alok's Hood (as D'Vultures Stuntmen) (Featured Ensemble)
- Tomas Orate portrays Police (Featured Ensemble)
- Val Gagarin portrays Police (Featured Ensemble)
- Alfonso Villamor portrays Police (Featured Ensemble)
- Nick Miranda portrays Police (Featured Ensemble)
- Melanio Manicio portrays Police (Featured Ensemble)
- Jesus Cortez portrays Police (Featured Ensemble)
Key Filmmaking Crew
Directed by William Girdler. Written by Galen Thompson, David Sheldon. Produced by David Sheldon. Original Music by Robert O. Ragland. Cinematography by Frank E. Johnson. Film Editing by Chuck McClelland. Production Design by J. Patrick Kelly III. Costume Design by Hilda Galang.
Behind-the-Scenes Production Secrets & Trivia
- Commitment to Practical In-Camera Stunts & Massive Sets: During the filming of Project: Kill, William Girdler and the production team prioritized real, physical sets and practical in-camera effects over excessive green screens. Full-scale architectural environments and custom mechanical rigs were engineered to give the cinematography a tangible, visceral weight.
- Leslie Nielsen's Rigorous Character Immersion & Training: To prepare for their demanding role in Project: Kill, Leslie Nielsen underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Gary Lockwood. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: William Girdler concealed subtle visual Easter eggs throughout Project: Kill, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (5.1/10): Project: Kill achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Project: Kill was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1973 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1974 - 1975 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1975 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (October 1, 1976): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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