Official Uncut Synopsis & Storyline

Nancy Savoca’s second student film follows two twelve-year olds, Bobby (Joey D’Arelli) and Denise (Kelly Cinnante) who run away to Hollywood. They land at an open mic night in a New Jersey bar where Bobby’s aunt and uncle (once aspiring actors) lay out the realities of life as a working actor. The film was inspired by performers Savoca met while making her first student film, most notably William DaPrato. Filled with wry humor and quiet revelations about the pursuit of artistic dreams, Bad Timing also features Marianne Leone and the on-screen debut of future Academy Award winner Chris Cooper.

Shooting Spots & Production Facilities

Filmed on location in United States of America at soundstages: New York University (NYU) (Primary Studio Soundstage), Bogart Films (Primary Studio Soundstage). Optics: Panavision Millennium DXL2 with Primo 70 Spherical & Vintage Anamorphic Glass. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• Kelly Cinnante portrays Denise (Lead Protagonist)
• Marianne Leone Cooper portrays Carol (Lead Protagonist)
• Chris Cooper portrays Eddie (Primary Co-Star)
• Dale Carman portrays Comedian Scott Oliver (Primary Co-Star)
• Joey D'Arelli portrays Bobby (Key Supporting Role)
• Danny Fasolino portrays Emcee (Key Supporting Role)
• Marta Fensore portrays Denise's Mother (Key Supporting Role)
• Tom Lemme portrays Heckler (Key Supporting Role)
• Mary Portser portrays Singer Julie Dey (Key Supporting Role)
• Louise Salis portrays Denise's Mother (voice) (Key Supporting Role)
• Carla Wynn portrays Waitress (Featured Ensemble)

Key Filmmaking Crew

Directed by Nancy Savoca. Written by Nancy Savoca. Produced by Richard Guay, Nancy Savoca. Original Music by Stephen Hoffman. Cinematography by Steven Search. Film Editing by Nancy Savoca. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.

Behind-the-Scenes Production Secrets & Trivia

• Commitment to Practical In-Camera Stunts & Massive Sets: During the filming of Bad Timing, Nancy Savoca and the production team prioritized real, physical sets and practical in-camera effects over excessive green screens. Full-scale architectural environments and custom mechanical rigs were engineered to give the cinematography a tangible, visceral weight.
• Kelly Cinnante's Rigorous Character Immersion & Training: To prepare for their demanding role in Bad Timing, Kelly Cinnante underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Marianne Leone Cooper. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: Nancy Savoca concealed subtle visual Easter eggs throughout Bad Timing, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (8.2/10): Bad Timing achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Bad Timing was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Release Timeline

• 1. Concept Inception & Screenplay Planning (1979 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (1980 - 1981 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (1981 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (December 31, 1982): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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