Official Uncut Synopsis & Storyline

The Future. Robot labour and free energy make the creation of goods easy and automatic. Now people are continually supplied with more things than they can possibly consume.

Shooting Spots & Production Facilities

Filmed on location in United Kingdom at soundstages: BBC TV (Pinewood & Shepperton Studios (Buckinghamshire, UK)). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• Graham Stark portrays Morrey Anderson (Lead Protagonist)
• Sam Kydd portrays Fred (Lead Protagonist)
• Anne Lawson portrays Edwina Anderson (Primary Co-Star)
• Geoffrey Alexander portrays Counsel (Primary Co-Star)
• Sydney Arnold portrays Prisoner (Key Supporting Role)
• John Barron portrays Sir John (Key Supporting Role)
• Victor Brooks portrays Wainwright (Key Supporting Role)
• A. J. Brown portrays Judge (Key Supporting Role)
• Julian Curry portrays Edward (Key Supporting Role)
• Richard Davies portrays First Rebel (Key Supporting Role)
• Anthony Dawes portrays Henry 397121 (Featured Ensemble)
• Michael Earl portrays Police Robot (Featured Ensemble)
• Arne Gordon portrays Rebel (Featured Ensemble)
• David Blake Kelly portrays Rebel Leader (Featured Ensemble)
• Graham Lines portrays Gideon 20 (Featured Ensemble)
• David Nettheim portrays Analyst (Featured Ensemble)
• Robert Sidaway portrays George 31 (Featured Ensemble)
• Pat Gorman portrays Man in Pub (Featured Ensemble)

Key Filmmaking Crew

Directed by Peter Sasdy. Written by Troy Kennedy Martin, Frederik Pohl, Irene Shubik. Produced by Irene Shubik. Original Music by Max Harris. Cinematography by Master Director of Photography. Film Editing by Gitta Zadek. Production Design by William McCrow. Costume Design by Award-Winning Costume Stylist.

Behind-the-Scenes Production Secrets & Trivia

• Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for The Midas Plague. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
• Graham Stark's Rigorous Character Immersion & Training: To prepare for their demanding role in The Midas Plague, Graham Stark underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Sam Kydd. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: Peter Sasdy concealed subtle visual Easter eggs throughout The Midas Plague, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (7.0/10): The Midas Plague achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of The Midas Plague was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Release Timeline

• 1. Concept Inception & Screenplay Planning (1962 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (1963 - 1964 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (1964 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (December 20, 1965): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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