Official Uncut Synopsis & Storyline

The cold war, the space race, and NASA’s moon landing are landmark events that defined an era. But they are also fodder for conspiracy theories. In Houston, We Have a Problem! filmmaker Žiga Virc adds new material to the discussion on both fronts. This intriguing docu-fiction explores the myth of the secret multi-billion-dollar deal behind America’s purchase of Yugoslavia’s clandestine space program in the early 1960s.

Shooting Spots & Production Facilities

Filmed on location in Qatar, Slovenia, Croatia, Germany, Czech Republic at soundstages: Sutor Kolonko (Primary Studio Soundstage), Nukleus film (Primary Studio Soundstage), Studio Virc (Primary Studio Soundstage). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• Slavoj Žižek portrays Self (Lead Protagonist)
• Josip Broz Tito portrays Self (archive footage) (Lead Protagonist)
• John F. Kennedy portrays Self (archive footage) (Primary Co-Star)
• Richard Nixon portrays Self (archive footage) (Primary Co-Star)
• Bill Clinton portrays Self (archive footage) (Key Supporting Role)
• Lyndon B. Johnson portrays Self (archive footage) (as Lyndon Johnson) (Key Supporting Role)
• Dean Rusk portrays Self (archive footage) (Key Supporting Role)
• Jimmy Carter portrays Self (archive footage) (Key Supporting Role)

Key Filmmaking Crew

Directed by Žiga Virc. Written by Boštjan Virc, Žiga Virc. Produced by Ingmar Trost, Boštjan Virc, Siniša Juričić. Original Music by Master Orchestra Composer. Cinematography by Andrej Virc. Film Editing by Vladimir Gojun. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.

Behind-the-Scenes Production Secrets & Trivia

• Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for Houston, We Have a Problem!. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
• Slavoj Žižek's Rigorous Character Immersion & Training: To prepare for their demanding role in Houston, We Have a Problem!, Slavoj Žižek underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Josip Broz Tito. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: Žiga Virc concealed subtle visual Easter eggs throughout Houston, We Have a Problem!, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (7.7/10): Houston, We Have a Problem! achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Houston, We Have a Problem! was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Release Timeline

• 1. Concept Inception & Screenplay Planning (2013 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (2014 - 2015 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (2015 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (May 5, 2016): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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