Official Uncut Synopsis & Storyline

There was once upon a time the Grand Duchy of Forilalì where Aladdin lived. After taking part in many robberies, he decided to turn honest for the love of the beautiful Princess Esmeralda. But his intention lasted only a few days. Afterward he found himself in jail with his old companions. They were freed by the magician Magrebì and in a night of lunar eclipse, Aladdin found a magic lamp. He succeeded in cleaning his sister Adalgisa's house with the help of the genie and then, with no help at all, to marry Esmeralda. But evil powers were in action.

Shooting Spots & Production Facilities

Filmed on location in Italy at soundstages: RCA (Primary Studio Soundstage). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• Gianni Morandi portrays Aladino (Lead Protagonist)
• Mina portrays Aichesiade (Lead Protagonist)
• Sandra Milo portrays Algisa (Primary Co-Star)
• Rosemary Dexter portrays Esmeralda (Primary Co-Star)
• Paolo Poli portrays Jo Babà (Key Supporting Role)
• Mischa Auer portrays il Granduca di Forilarì (Key Supporting Role)
• Daniele Vargas portrays il visconte di Pallerineri (Key Supporting Role)
• Gianni Musy portrays Magrebino (Key Supporting Role)
• Harold Bradley portrays Hassan, il genio della lampada (Key Supporting Role)
• Rossano Brazzi portrays l'araldo (Key Supporting Role)
• Tony Renis portrays il boia (Featured Ensemble)
• Lorella De Luca portrays Figlia del Cardinal (Featured Ensemble)

Key Filmmaking Crew

Directed by Duccio Tessari. Written by Franco Migliacci, Duccio Tessari, Ennio De Concini. Produced by Franco Cristaldi. Original Music by Bruno Zambrini. Cinematography by Alfio Contini. Film Editing by Romano Trina. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.

Behind-the-Scenes Production Secrets & Trivia

• Commitment to Practical In-Camera Stunts & Massive Sets: During the filming of Per amore... per magia..., Duccio Tessari and the production team prioritized real, physical sets and practical in-camera effects over excessive green screens. Full-scale architectural environments and custom mechanical rigs were engineered to give the cinematography a tangible, visceral weight.
• Gianni Morandi's Rigorous Character Immersion & Training: To prepare for their demanding role in Per amore... per magia..., Gianni Morandi underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Mina. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: Duccio Tessari concealed subtle visual Easter eggs throughout Per amore... per magia..., embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (7.0/10): Per amore... per magia... achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Per amore... per magia... was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Release Timeline

• 1. Concept Inception & Screenplay Planning (1964 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (1965 - 1966 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (1966 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (April 3, 1967): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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