Official Uncut Synopsis & Storyline
Lucky is tricked into missing his own wedding to Margaret and has to make $25,000 so her father will allow him to marry her. He and business partner Pop go to New York where they run into dancing instructor Penny. She and Lucky form a successful dance partnership, but romance is blighted by his old attachment to Margaret and hers for Ricky.
Shooting Spots & Production Facilities
Filmed on location in United States of America at soundstages: RKO Radio Pictures (Primary Studio Soundstage). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Fred Astaire portrays Lucky Garnett (Lead Protagonist)
- Ginger Rogers portrays Penny Carrol (Lead Protagonist)
- Victor Moore portrays Pop Cardetti (Primary Co-Star)
- Helen Broderick portrays Mabel Anderson (Primary Co-Star)
- Eric Blore portrays Gordon (Key Supporting Role)
- Betty Furness portrays Margaret Watson (Key Supporting Role)
- Georges Metaxa portrays Ricky Romero (Key Supporting Role)
- Landers Stevens portrays Judge Watson (uncredited) (Key Supporting Role)
- Jack Goode portrays Dancer (uncredited) (Key Supporting Role)
- Gerald Hamer portrays Eric Lacanistram (uncredited) (Key Supporting Role)
- Edgar Dearing portrays (uncredited) (Featured Ensemble)
- Fern Emmett portrays (uncredited) (Featured Ensemble)
- Olin Francis portrays (uncredited) (Featured Ensemble)
- John Harrington portrays (uncredited) (Featured Ensemble)
- Howard Hickman portrays (uncredited) (Featured Ensemble)
- Frank Jenks portrays (uncredited) (Featured Ensemble)
- Frank Mills portrays (uncredited) (Featured Ensemble)
- Ferdinand Munier portrays (uncredited) (Featured Ensemble)
- Abe Reynolds portrays Schmidt the tailor (uncredited) (Featured Ensemble)
- Pierre Watkin portrays (uncredited) (Featured Ensemble)
Key Filmmaking Crew
Directed by George Stevens. Written by Howard Lindsay, Allan Scott, Erwin S. Gelsey. Produced by Pandro S. Berman. Original Music by Jerome Kern. Cinematography by David Abel. Film Editing by Henry Berman. Production Design by Chief Production Designer. Costume Design by Bernard Newman.
Behind-the-Scenes Production Secrets & Trivia
- Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for Swing Time. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
- Fred Astaire's Rigorous Character Immersion & Training: To prepare for their demanding role in Swing Time, Fred Astaire underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Ginger Rogers. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: George Stevens concealed subtle visual Easter eggs throughout Swing Time, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Global Box Office Phenomenon ($2.6M Gross): Swing Time conquered international box offices worldwide, grossing over $2.6 Million against an estimated $0.9 Million production budget (2.9x ROI multiple), setting pre-sale ticket records in IMAX and premium large format auditoriums.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Swing Time was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1933 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1934 - 1935 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1935 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (August 28, 1936): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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