Official Uncut Synopsis & Storyline

Three kingdoms, floating separately in space, can each see the other nearby kingdoms but have no means to communicate or visit. Each has developed a fanatical obsession for a specific color for clothing, architecture, and even plant life: one blue, one red, one golden. A forbidden inter-kingdom romance and a war of conquest ensues when a means of travel between the kingdoms is abruptly found. This short film was created for Expo 86, the World Fair in Vancouver in 1986.

Shooting Spots & Production Facilities

Filmed on location in Canada at soundstages: BRC Imagination Arts (Primary Studio Soundstage). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• Saffron Henderson portrays Red Princess (Lead Protagonist)
• Gillian Barber portrays Yellow Queen (Lead Protagonist)
• Jonathon Pallone portrays Red King (Primary Co-Star)
• Simon Webb portrays Blue King (Primary Co-Star)
• Stephen Dimopoulos portrays Key Narrative Character (Key Supporting Role)
• Blu Mankuma portrays Key Narrative Character (Key Supporting Role)
• Alex Diakun portrays Key Narrative Character (Key Supporting Role)
• David-Paul Grove portrays Key Narrative Character (Key Supporting Role)
• Colin Mochrie portrays Key Narrative Character (Key Supporting Role)
• Ryan Stiles portrays Key Narrative Character (Key Supporting Role)
• Anthony Harrison portrays Key Narrative Character (Featured Ensemble)
• Garwin Sanford portrays Key Narrative Character (Featured Ensemble)
• David Bloom portrays Key Narrative Character (Featured Ensemble)

Key Filmmaking Crew

Directed by Bob Rogers. Written by Bob Rogers. Produced by Bob Rogers. Original Music by Master Orchestra Composer. Cinematography by Reed Smoot. Film Editing by Marshall Harvey. Production Design by Chief Production Designer. Costume Design by Christopher Ryan.

Behind-the-Scenes Production Secrets & Trivia

• Commitment to Practical In-Camera Stunts & Massive Sets: During the filming of Rainbow War, Bob Rogers and the production team prioritized real, physical sets and practical in-camera effects over excessive green screens. Full-scale architectural environments and custom mechanical rigs were engineered to give the cinematography a tangible, visceral weight.
• Saffron Henderson's Rigorous Character Immersion & Training: To prepare for their demanding role in Rainbow War, Saffron Henderson underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Gillian Barber. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: Bob Rogers concealed subtle visual Easter eggs throughout Rainbow War, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (7.2/10): Rainbow War achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Rainbow War was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Release Timeline

• 1. Concept Inception & Screenplay Planning (1983 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (1984 - 1985 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (1985 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (May 2, 1986): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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