Official Uncut Synopsis & Storyline
In a daring robbery, some $300,000 is taken from the Italian mob. Several mafiosi are killed, as are two policemen. Lt. Pope and Capt. Mattelli are two New York City cops trying to break the case. Three small-time criminals are on the run with the money. Will the mafia catch them first, or will the police?
Shooting Spots & Production Facilities
Filmed on location in United States of America at soundstages: Film Guarantors (Primary Studio Soundstage), United Artists (Primary Studio Soundstage). Optics: IMAX Certified 65mm Digital (ARRI Alexa 65) & Panavision Ultra 70 Anamorphic Lenses. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Anthony Quinn portrays Capt. Frank Mattelli (Lead Protagonist)
- Yaphet Kotto portrays Lt. William Pope (Lead Protagonist)
- Anthony Franciosa portrays Nick D'Salvio (Primary Co-Star)
- Paul Benjamin portrays Jim Harris (Primary Co-Star)
- Richard Ward portrays Doc Johnson (Key Supporting Role)
- Antonio Fargas portrays Henry J. Jackson (Key Supporting Role)
- Gilbert Lewis portrays Shevvy (Key Supporting Role)
- Norma Donaldson portrays Gloria Roberts (Key Supporting Role)
- Gloria Hendry portrays Laurelene (Key Supporting Role)
- Marlene Warfield portrays Mrs Jackson (Key Supporting Role)
- Nat Polen portrays Lt. Reilly (Featured Ensemble)
- Tim O'Connor portrays Lt. Hartnett (Featured Ensemble)
- Robert Sacchi portrays Hood (Featured Ensemble)
- Burt Young portrays Lapides (Featured Ensemble)
- Charles McGregor portrays Chink (Featured Ensemble)
- Paul Harris portrays Mr C. (Featured Ensemble)
- Frank Adu portrays Black Assistant (Featured Ensemble)
- Frank Arno portrays Detective Rizzo (Featured Ensemble)
- Joseph Attles portrays Mr. Jessup (as Joe Attles) (Featured Ensemble)
- Ed Bernard portrays Joe Logart (Featured Ensemble)
- Gerry Black portrays Patrolman (Featured Ensemble)
- Samual Blue Jr. portrays Dr. Christmas (Featured Ensemble)
- Norman Bush portrays Bartender (Featured Ensemble)
- Anthony C. Cannon portrays Sal (as Anthony Cannon) (Featured Ensemble)
Key Filmmaking Crew
Directed by Barry Shear. Written by Luther Davis, Wally Ferris. Produced by Ralph B. Serpe, Fouad Said, Anthony Quinn. Original Music by J.J. Johnson. Cinematography by Jack Priestley. Film Editing by Carl Pingitore. Production Design by Chief Production Designer. Costume Design by Joseph Fretwell III.
Behind-the-Scenes Production Secrets & Trivia
- Commitment to Practical In-Camera Stunts & Massive Sets: During the filming of Across 110th Street, Barry Shear and the production team prioritized real, physical sets and practical in-camera effects over excessive green screens. Full-scale architectural environments and custom mechanical rigs were engineered to give the cinematography a tangible, visceral weight.
- Anthony Quinn's Rigorous Character Immersion & Training: To prepare for their demanding role in Across 110th Street, Anthony Quinn underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Yaphet Kotto. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Barry Shear concealed subtle visual Easter eggs throughout Across 110th Street, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (6.7/10): Across 110th Street achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Across 110th Street was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1969 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1970 - 1971 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1971 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (December 19, 1972): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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