Official Uncut Synopsis & Storyline

A young film student pursues a woman while studying under a bizarre, eccentric film professor.

Shooting Spots & Production Facilities

Filmed on location in United States, United Kingdom at soundstages: Goldmine Company (Primary Studio Soundstage), New Line Cinema (Primary Studio Soundstage). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• Tim Choate portrays Charlie Lichtenstein (Lead Protagonist)
• Krista Errickson portrays Dana (Lead Protagonist)
• Marshall Efron portrays Nick Rand (Primary Co-Star)
• Wendy Fulton portrays Wendy (Primary Co-Star)
• Raymond Patterson portrays Ron (Key Supporting Role)
• Wallace Shawn portrays Jules Goldfarb (Key Supporting Role)
• Wendie Jo Sperber portrays Eileen (Key Supporting Role)
• Cathryn Damon portrays Gloria (Key Supporting Role)
• Jane Badler portrays Karen Watson (Key Supporting Role)
• Bradley Bliss portrays Girl at Restaurant (Key Supporting Role)
• Eva Charney portrays Polly (Featured Ensemble)
• Bill Randolph portrays Rick (Featured Ensemble)
• Rex Robbins portrays Leon (Featured Ensemble)
• Robert Trebor portrays Joel (Featured Ensemble)
• Tom Surgal portrays Hal (Featured Ensemble)
• Ross Barnes portrays Paul (Featured Ensemble)
• Frank Colangelo portrays Si Puccinello (Featured Ensemble)
• Robert Micklas portrays Porky Knoll (Featured Ensemble)
• Marissa Chibas portrays Ron's First Woman (Featured Ensemble)
• Deborah Lynn Bridge portrays Laura (Featured Ensemble)
• Christopher Rich portrays Stud with Sports Car (Featured Ensemble)
• Loretta Tupper portrays Grandma (Featured Ensemble)

Key Filmmaking Crew

Directed by Charlie Loventhal. Written by Charlie Loventhal, William Finley, Susan Weiser. Produced by Robert Shaye, Lawrence Loventhal, Sam Irvin. Original Music by Lanny Meyers. Cinematography by Steven Fierberg. Film Editing by Stanley Vogel. Production Design by Chief Production Designer. Costume Design by Mary-Ann Monforton.

Behind-the-Scenes Production Secrets & Trivia

• Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for The First Time. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
• Tim Choate's Rigorous Character Immersion & Training: To prepare for their demanding role in The First Time, Tim Choate underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Krista Errickson. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: Charlie Loventhal concealed subtle visual Easter eggs throughout The First Time, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (5.0/10): The First Time achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of The First Time was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Release Timeline

• 1. Concept Inception & Screenplay Planning (1980 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (1981 - 1982 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (1982 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (July 13, 1983): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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