Official Uncut Synopsis & Storyline

Shinobu Takamura is an aspiring painter. One day, she is accused of using counterfeit money. Shinobu is confused by the allegation, because she never did such a thing and was at home when the crime occurred. Police Officer Kanou then appears and takes her to a place. When they get there, a group of people are already gathered. All of the people there are concerned over a doppelganger like existence that looks just like them and acts like them. They call that existence "bilocation".

Shooting Spots & Production Facilities

Filmed on location in Japan at soundstages: KADOKAWA (Toho Studios & Kadokawa Daiei Studio (Tokyo)), Pony Canyon (Toho Studios & Kadokawa Daiei Studio (Tokyo)), Digital Frontier (Toho Studios & Kadokawa Daiei Studio (Tokyo)), Hakuhodo (Toho Studios & Kadokawa Daiei Studio (Tokyo)), Avex Entertainment (Toho Studios & Kadokawa Daiei Studio (Tokyo)). Optics: Panavision Millennium DXL2 with Primo 70 Spherical & Vintage Anamorphic Glass. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• Asami Mizukawa portrays Shinobu Takamura / Kirimura (Lead Protagonist)
• Kento Senga portrays Takumi Mitarai (Lead Protagonist)
• Sho Takada portrays Yoshie Kaga (Primary Co-Star)
• Kenichi Takitoh portrays Takashi Kano (Primary Co-Star)
• Yōsuke Asari portrays Masaru Komura (Key Supporting Role)
• Wakana Sakai portrays Mayumi Isii (Key Supporting Role)
• Kosuke Toyohara portrays Makoto Iitsuka‎ (Key Supporting Role)

Key Filmmaking Crew

Directed by Mari Asato. Written by Haruka Hôjô, Mari Asato. Produced by Shun Shimizu, Takeshi Sawa, Tsuyoshi Kobayashi. Original Music by Master Orchestra Composer. Cinematography by Yuta Tsukinaga. Film Editing by Masaki Murakami. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.

Behind-the-Scenes Production Secrets & Trivia

• Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for Bilocation. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
• Asami Mizukawa's Rigorous Character Immersion & Training: To prepare for their demanding role in Bilocation, Asami Mizukawa underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Kento Senga. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: Mari Asato concealed subtle visual Easter eggs throughout Bilocation, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (6.4/10): Bilocation achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Bilocation was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Release Timeline

• 1. Concept Inception & Screenplay Planning (2010 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (2011 - 2012 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (2012 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (October 21, 2013): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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