Official Uncut Synopsis & Storyline
A female blackmailer with a disfiguring facial scar meets a plastic surgeon who offers her the possibility of looking like a normal woman.
Shooting Spots & Production Facilities
Filmed on location in United States of America at soundstages: Metro-Goldwyn-Mayer (Primary Studio Soundstage). Optics: Panavision Millennium DXL2 with Primo 70 Spherical & Vintage Anamorphic Glass. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Joan Crawford portrays Anna Holm (Lead Protagonist)
- Melvyn Douglas portrays Dr. Gustaf Segert (Lead Protagonist)
- Conrad Veidt portrays Torsten Barring (Primary Co-Star)
- Osa Massen portrays Vera Segert (Primary Co-Star)
- Reginald Owen portrays Bernard Dalvik (Key Supporting Role)
- Albert Bassermann portrays Consul Magnus Barring (Key Supporting Role)
- Marjorie Main portrays Emma Kristiansdotter (Key Supporting Role)
- Donald Meek portrays Herman Rundvik (Key Supporting Role)
- Connie Gilchrist portrays Christina Dalvik (Key Supporting Role)
- Richard Nichols portrays Lars-Erik Barring (Key Supporting Role)
- Charles Quigley portrays Eric (Featured Ensemble)
- Gwili Andre portrays Gusta (Featured Ensemble)
- Clifford Brooke portrays Wickman (Featured Ensemble)
- George Zucco portrays Defense Attorney (Featured Ensemble)
- Henry Kolker portrays Judge (Featured Ensemble)
- Robert Warwick portrays Associate Judge (Featured Ensemble)
- Gilbert Emery portrays Associate Judge (Featured Ensemble)
- Henry Daniell portrays Public Prosecutor (Featured Ensemble)
- Sarah Padden portrays Police Matron (Featured Ensemble)
- William Farnum portrays Court Attendant (Featured Ensemble)
- Doris Day portrays Party Guest (uncredited) (Featured Ensemble)
Key Filmmaking Crew
Directed by George Cukor. Written by Francis de Croisset, Donald Ogden Stewart, Elliot Paul. Produced by Victor Saville. Original Music by Bronislau Kaper. Cinematography by Robert H. Planck. Film Editing by Frank Sullivan. Production Design by Chief Production Designer. Costume Design by Adrian.
Behind-the-Scenes Production Secrets & Trivia
- Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for A Woman's Face. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
- Joan Crawford's Rigorous Character Immersion & Training: To prepare for their demanding role in A Woman's Face, Joan Crawford underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Melvyn Douglas. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: George Cukor concealed subtle visual Easter eggs throughout A Woman's Face, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Global Box Office Phenomenon ($1.9M Gross): A Woman's Face conquered international box offices worldwide, grossing over $1.9 Million against an estimated $1.3 Million production budget (1.4x ROI multiple), setting pre-sale ticket records in IMAX and premium large format auditoriums.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of A Woman's Face was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1938 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1939 - 1940 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1940 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (May 9, 1941): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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