Official Uncut Synopsis & Storyline

Viktor Frankenstein, expelled from Ingoldstat U for doing weird experiments and for acting a bit looney, goes to college in Canada to study brain control under Prof. Preston. Campus radicals frame Viktor (photographed holding a joint) in an attempt to discredit both Preston and the Dean and Viktor is once again expelled. Vik injects Tae Kwan Do expert Tony with his new brain control pellets and soon Tony becomes an instrument of revenge, beating radicals to death, drowning the photographer in a developing tray, and karate-chopping a reporter in the throat to name a few. But why won't Viktor remove his clothes when doing his often naked girlfriend and who is the "real Frankenstein"?

Shooting Spots & Production Facilities

Filmed on location in Canada at soundstages: Glen Warren Productions (Primary Studio Soundstage), Agincourt (Primary Studio Soundstage). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• Robin Ward portrays Victor Frankenstein (Lead Protagonist)
• Kathleen Sawyer portrays Susan Harris (Lead Protagonist)
• Tony Moffat-Lynch portrays David (Primary Co-Star)
• Ty Haller portrays Tony Bayles (Primary Co-Star)
• Austin Willis portrays Cantwell (Key Supporting Role)
• Sean Sullivan portrays Prof. Preston (Key Supporting Role)
• Alan Dean portrays Bob Hendricks (Key Supporting Role)
• Stephanie Laird portrays Debbie (Key Supporting Role)
• Ken Hagan portrays Reporter (Key Supporting Role)
• Steffany Lind portrays Debbie Jordan (Key Supporting Role)
• Linda Rennhofer portrays Miss Cool (Featured Ensemble)

Key Filmmaking Crew

Directed by Gilbert W. Taylor. Written by Gilbert W. Taylor, David Cobb, William T. Marshall. Produced by William T. Marshall. Original Music by Paul Hoffert. Cinematography by Chris Slagter. Film Editing by Eric Wrate. Production Design by Chief Production Designer. Costume Design by Roger Palmer.

Behind-the-Scenes Production Secrets & Trivia

• Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for Flick. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
• Robin Ward's Rigorous Character Immersion & Training: To prepare for their demanding role in Flick, Robin Ward underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Kathleen Sawyer. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: Gilbert W. Taylor concealed subtle visual Easter eggs throughout Flick, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (6.3/10): Flick achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Flick was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Release Timeline

• 1. Concept Inception & Screenplay Planning (1967 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (1968 - 1969 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (1969 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (April 10, 1970): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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