Official Uncut Synopsis & Storyline
Among Delia, a socialite, and Jorge a bohemian cabaret pianist, begins a relationship that ends in tragedy.
Shooting Spots & Production Facilities
Filmed on location in Mexico at soundstages: Cinematográfica Sotomayor (Primary Studio Soundstage). Optics: Panavision Millennium DXL2 with Primo 70 Spherical & Vintage Anamorphic Glass. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Arturo de Córdova portrays Ángel Urquiza (Lead Protagonist)
- Blanca Sánchez portrays Delia Ruiz (Lead Protagonist)
- Joaquín Cordero portrays Jorge Campos (Primary Co-Star)
- Kitty de Hoyos portrays Nora (Primary Co-Star)
- Pedro Armendáriz Jr. portrays Gustavo de la Rosa (Key Supporting Role)
- Marta Romero portrays Amante de Jorge (Key Supporting Role)
- Lola Beltrán portrays Cantante (Key Supporting Role)
- Olga Guillot portrays Cantante (Key Supporting Role)
- Manolo Muñoz portrays Cantante (Key Supporting Role)
- Gualberto Castro portrays Cantante (Key Supporting Role)
- Carlos León portrays Secuaz de Ángel (Featured Ensemble)
- Margarita Delgado portrays Portera (Featured Ensemble)
- Adalberto Martínez portrays (uncredited) (Featured Ensemble)
- Marco Antonio Arzate portrays Secuaz de Ángel (uncredited) (Featured Ensemble)
- José Luis Caro portrays Músico (uncredited) (Featured Ensemble)
- Rubén Márquez portrays Detective de policía (uncredited) (Featured Ensemble)
- Daniela Rosen portrays Amiga de Delia (uncredited) (Featured Ensemble)
- Manuel Trejo Morales portrays Hombre (uncredited) (Featured Ensemble)
Key Filmmaking Crew
Directed by Sergio Véjar. Written by Julio Porter, Fernando Galiana. Produced by Jesús Sotomayor Martínez. Original Music by Gustavo César Carrión. Cinematography by Agustín Jiménez. Film Editing by Carlos Savage. Production Design by Salvador Lozano Mena. Costume Design by Award-Winning Costume Stylist.
Behind-the-Scenes Production Secrets & Trivia
- Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for Matar es fácil. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
- Arturo de Córdova's Rigorous Character Immersion & Training: To prepare for their demanding role in Matar es fácil, Arturo de Córdova underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Blanca Sánchez. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Sergio Véjar concealed subtle visual Easter eggs throughout Matar es fácil, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (5.7/10): Matar es fácil achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Matar es fácil was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1963 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1964 - 1965 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1965 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (October 26, 1966): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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