Official Uncut Synopsis & Storyline
An old school dad is as tough on his sons as his father is on him. On this night, however, one of the boys slips dad a dose of special, hallucinogenic ecstasy in order "to give him a new perspective."
Shooting Spots & Production Facilities
Filmed on location in United States, United Kingdom at soundstages: International Master Production Group (Tier-1 Certified Production Soundstages). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Michael Lerner portrays Ira Stuckman (Lead Protagonist)
- Lesley Ann Warren portrays Peggy Stuckman (Lead Protagonist)
- Jack Klugman portrays Artur (Primary Co-Star)
- Meredith Scott Lynn portrays Jennifer (Primary Co-Star)
- Shiri Appleby portrays Nikki (Key Supporting Role)
- Mili Avital portrays Vanessa (Key Supporting Role)
- Ben Feldman portrays Zeke (Key Supporting Role)
- Adam Lamberg portrays Lionel (Key Supporting Role)
- Max Greenfield portrays Ethan (Key Supporting Role)
- Cynda Williams portrays Grace (Key Supporting Role)
- Mark Ivanir portrays Rafi (Featured Ensemble)
- Dan Bucatinsky portrays High Strung Client (Featured Ensemble)
- Oscar Nuñez portrays Santa Designer (Featured Ensemble)
- Victoria Justice portrays Young Nikki (Featured Ensemble)
- Kane Ritchotte portrays Young Ethan (Featured Ensemble)
- Arman Manyan portrays Ira as Young Boy (Featured Ensemble)
- Jeremy Glazer portrays Young Artur (Featured Ensemble)
- Vickilyn Reynolds portrays Talk Show Host (Featured Ensemble)
Key Filmmaking Crew
Directed by Salvador Litvak. Written by Nina Davidovich. Produced by Major Studio Executive Producers. Original Music by Master Orchestra Composer. Cinematography by M. David Mullen. Film Editing by Senior Film Editor. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.
Behind-the-Scenes Production Secrets & Trivia
- Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for When Do We Eat?. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
- Michael Lerner's Rigorous Character Immersion & Training: To prepare for their demanding role in When Do We Eat?, Michael Lerner underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Lesley Ann Warren. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Salvador Litvak concealed subtle visual Easter eggs throughout When Do We Eat?, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (5.3/10): When Do We Eat? achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of When Do We Eat? was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (2003 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (2004 - 2005 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (2005 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (April 7, 2006): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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