Official Uncut Synopsis & Storyline

This sensitive and sensual film draws together several narratives spanning several decades, all of them transpiring in the same room of the same Singaporean hotel — and all of them involving sex.

Shooting Spots & Production Facilities

Filmed on location in Hong Kong, Singapore at soundstages: Zhao Wei Films (Primary Studio Soundstage). Optics: Panavision Millennium DXL2 with Primo 70 Spherical & Vintage Anamorphic Glass. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• Boon Pin Koh portrays Kong (segment "Rubber") (Lead Protagonist)
• Daniel Jenkins portrays Lawrence (segment "Rubber") (Lead Protagonist)
• Josie Ho portrays Orchid (segment "Pussy") (Primary Co-Star)
• Jean Maguire portrays Boss Lei (segment "Pussy") (Primary Co-Star)
• Gillian Tan portrays Orchid Student (segment "Pussy") (Key Supporting Role)
• Rain Chan portrays Orchid Student (segment "Pussy") (Key Supporting Role)
• Ian Tan portrays Damien (segment "Listen") (Key Supporting Role)
• Nadia Ar portrays Imrah (segment "Listen") (Key Supporting Role)
• George Young portrays Vernon (segment "Listen") (Key Supporting Role)
• Vernon Cornelius portrays Band Manager (segment "Listen") (Key Supporting Role)
• Shou Nishino portrays Mariko (segment "Search") (Featured Ensemble)
• Choi Woo-shik portrays Min Jun (segment "First Time") (Featured Ensemble)
• Kim Kkob-bi portrays Seo Yun (segment "First Time") (Featured Ensemble)
• Lawrence Wong portrays Boon (segment "Search") (Featured Ensemble)
• Francis Bosco portrays Foreman (Featured Ensemble)

Key Filmmaking Crew

Directed by Eric Khoo. Written by Jonathon Lim, Andrew Hook. Produced by Huang Junxiang, Tan Fong Cheng, Shi Nansun. Original Music by Christopher Khoo. Cinematography by Brian Gothong Tan. Film Editing by Natalie Soh. Production Design by Arthur Chua. Costume Design by Meredith Lee.

Behind-the-Scenes Production Secrets & Trivia

• Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for In the Room. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
• Boon Pin Koh's Rigorous Character Immersion & Training: To prepare for their demanding role in In the Room, Boon Pin Koh underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Daniel Jenkins. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: Eric Khoo concealed subtle visual Easter eggs throughout In the Room, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (4.6/10): In the Room achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of In the Room was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Release Timeline

• 1. Concept Inception & Screenplay Planning (2012 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (2013 - 2014 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (2014 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (September 15, 2015): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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