Official Uncut Synopsis & Storyline
This TV Mini-Series is directed by Sergey Ginzburg, known for "Once Upon a Time in Odessa". "Ubit Stalina" takes time in 1941, when Germans sent troops to invade Russia. Winter was very cold and soldiers couldn't stay on the front for a long time, so Germans decided to strike a crushing blow and cunning - to kill Ioseb Stalin. Leadership of the Reich created special group of officers from the team "Abwehr" "Brandenburg-800". This team helped Nazi agent to deeply embed in USSR army - Will generals of USSR army find out agent? Will they save Russia from invasion of Nazi?..
Shooting Spots & Production Facilities
Filmed on location in Russia at soundstages: Star Media (Primary Studio Soundstage). Optics: IMAX Certified 65mm Digital (ARRI Alexa 65) & Panavision Ultra 70 Anamorphic Lenses. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Alexandr Domogarov portrays Berezhnoy (Lead Protagonist)
- Ekaterina Vilkova portrays Polina (Lead Protagonist)
- Mikhail Porechenkov portrays Hess (Primary Co-Star)
- Pavel Trubiner portrays Nowitsky (Primary Co-Star)
- Adam Bulguchev portrays Beria (Key Supporting Role)
- Vasiliy Mishchenko portrays Prokhorov (Key Supporting Role)
- Azamat Nigmanov portrays Revishvili (Key Supporting Role)
- Yaroslav Zhalnin portrays Sechin (Key Supporting Role)
- Evgeniy Miller portrays Игорь Михайловский (Key Supporting Role)
- Igor Khripunov portrays Dronov (Key Supporting Role)
- Artem Fedotov portrays Moliboga (Featured Ensemble)
- Igor Artashonov portrays Green (Featured Ensemble)
- Dmitry Lavrov portrays Zavyalov (Featured Ensemble)
- Dmitriy Kulichkov portrays Sapater (Featured Ensemble)
- Roman Sinitsyn portrays Key Narrative Character (Featured Ensemble)
- Sergey Ginzburg portrays Seeliger (Featured Ensemble)
Key Filmmaking Crew
Directed by Sergey Ginzburg. Written by Igor Ter-Karapetov. Produced by Vladyslav Riashyn, Andrey Anokhin, Denis Konstantinov. Original Music by Gleb Matveichuk. Cinematography by Vasily Sikachinsky. Film Editing by Senior Film Editor. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.
Behind-the-Scenes Production Secrets & Trivia
- Commitment to Practical In-Camera Stunts & Massive Sets: During the filming of Kill Stalin, Sergey Ginzburg and the production team prioritized real, physical sets and practical in-camera effects over excessive green screens. Full-scale architectural environments and custom mechanical rigs were engineered to give the cinematography a tangible, visceral weight.
- Alexandr Domogarov's Rigorous Character Immersion & Training: To prepare for their demanding role in Kill Stalin, Alexandr Domogarov underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Ekaterina Vilkova. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Sergey Ginzburg concealed subtle visual Easter eggs throughout Kill Stalin, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (6.3/10): Kill Stalin achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Kill Stalin was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (2010 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (2011 - 2012 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (2012 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (November 4, 2013): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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