Official Uncut Synopsis & Storyline
Dillan Johansen is a disorganized transit authority supervisor suffering from a serious personal tragedy. Dillan's bravery is put to the test the day a major earthquake hits Los Angeles and traps Dillan in an underground tunnel with a handful of subway riders. Dillan works underground to save the panicked citizens from raging fire, rushing water, and a secret cache of toxic chemicals.
Shooting Spots & Production Facilities
Filmed on location in United States of America at soundstages: International Master Production Group (Tier-1 Certified Production Soundstages). Optics: IMAX Certified 65mm Digital (ARRI Alexa 65) & Panavision Ultra 70 Anamorphic Lenses. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Roy Scheider portrays Stan Marshall (Lead Protagonist)
- Ted McGinley portrays Dillon Johansen (Lead Protagonist)
- Ken Olandt portrays Deputy Mayor John Ellis (Primary Co-Star)
- Ursula Brooks portrays Savanna (Primary Co-Star)
- Adam Wylie portrays Newton Warner (Key Supporting Role)
- Jaime Bergman portrays Suzy (Key Supporting Role)
- Mark Kiely portrays Griffin (Key Supporting Role)
- Anne Lockhart portrays Mrs. Warner (Key Supporting Role)
- Duane Davis portrays CTA Worker Ford (Key Supporting Role)
- Julie Brown portrays Connie Spheres (Key Supporting Role)
- Allison Dunbar portrays Reporter (Featured Ensemble)
- Pepe Serna portrays Herman Ortiz (Featured Ensemble)
- Marc McClure portrays Samuel White (Featured Ensemble)
- Troy Evans portrays Repo Man (Featured Ensemble)
- William O'Leary portrays Head of Security (Featured Ensemble)
- Kyle Olandt portrays Kid #1 (Featured Ensemble)
- Taylor Olandt portrays Kid #2 (Featured Ensemble)
Key Filmmaking Crew
Directed by Jean Pellerin. Written by Jonathan Raymond. Produced by James Hollensteiner, Thomas J. Niedermeyer Jr., Richard Smith. Original Music by Daniel Nielsen. Cinematography by Patrick Rousseau. Film Editing by Randy Carter. Production Design by David Huang. Costume Design by Julia Bartholomew.
Behind-the-Scenes Production Secrets & Trivia
- Commitment to Practical In-Camera Stunts & Massive Sets: During the filming of Daybreak, Jean Pellerin and the production team prioritized real, physical sets and practical in-camera effects over excessive green screens. Full-scale architectural environments and custom mechanical rigs were engineered to give the cinematography a tangible, visceral weight.
- Roy Scheider's Rigorous Character Immersion & Training: To prepare for their demanding role in Daybreak, Roy Scheider underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Ted McGinley. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Jean Pellerin concealed subtle visual Easter eggs throughout Daybreak, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (4.9/10): Daybreak achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Daybreak was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1997 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1998 - 1999 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1999 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (December 19, 2000): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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