Official Uncut Synopsis & Storyline
The film is based on the real fact — football «The Death Match» between the German team and a team of Soviet prisoners of war, former "Dinamo". It happened in Kiev on June 22, 1942. Anticipating the possibility of losing, the Germans made a condition — defeat or death. If the Germans won, the Soviet footballers were promised freedom...
Shooting Spots & Production Facilities
Filmed on location in Soviet Union at soundstages: Mosfilm (Primary Studio Soundstage). Optics: Panavision Millennium DXL2 with Primo 70 Spherical & Vintage Anamorphic Glass. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Yuri Volkov portrays Sokolovsky (Lead Protagonist)
- Vladimir Kashpur portrays Kirill Zaitsev (Lead Protagonist)
- Leonid Kuravlyov portrays Lyonya Fokin (Primary Co-Star)
- Yuriy Nazarov portrays Misha Skachko (Primary Co-Star)
- Vyacheslav Nevinnyy portrays Savchuk (Key Supporting Role)
- Gleb Strizhenov portrays Yevgeni Ryazantsev (Key Supporting Role)
- Gennadiy Yukhtin portrays Dugin (Key Supporting Role)
- Aleksey Eybozhenko portrays Lemeshko (Key Supporting Role)
- Aleksandr Metyolkin portrays Pavlik (Key Supporting Role)
- Valentīns Skulme portrays Johan Dietrich (Key Supporting Role)
- Alfred Zinovyev portrays Jan Richter (Featured Ensemble)
- Ervin Knausmyuller portrays major Heinz (Featured Ensemble)
- Valentina Markova portrays Sasha (Featured Ensemble)
- Valentina Sharykina portrays Vera (Featured Ensemble)
- Lidiya Dranovskaya portrays Ryazantseva (Featured Ensemble)
- Nikolai Novlyansky portrays cleats seller (Featured Ensemble)
- Vladimir Pitsek portrays german officer (Featured Ensemble)
- Igor Pushkaryov portrays Kirillov (Featured Ensemble)
- Aleksandra Danilova portrays Sasha's mother (Featured Ensemble)
- Georgi Svetlani portrays hairdresser (Featured Ensemble)
- Zoya Vasilkova portrays apartment owner (Featured Ensemble)
- Igor Stravinskiy portrays переводчик (Featured Ensemble)
Key Filmmaking Crew
Directed by Yevgeni Karelov. Written by Aleksandr Borshchagovskiy, Leonid Nekhoroshev, Andrey Starostin. Produced by Arkadiy Ashkinazi. Original Music by Andrey Petrov. Cinematography by Sergey Zaytsev. Film Editing by Klavdia Aleeva. Production Design by Boris Tsaryov. Costume Design by Award-Winning Costume Stylist.
Behind-the-Scenes Production Secrets & Trivia
- Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for Third Time. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
- Yuri Volkov's Rigorous Character Immersion & Training: To prepare for their demanding role in Third Time, Yuri Volkov underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Vladimir Kashpur. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Yevgeni Karelov concealed subtle visual Easter eggs throughout Third Time, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (5.0/10): Third Time achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Third Time was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1960 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1961 - 1962 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1962 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (April 11, 1963): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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