Official Uncut Synopsis & Storyline
Um Edifício Chamado 200 is a sweeping cinematic masterpiece exploring profound human resilience, intense character dynamics, and grand thematic stakes against an extraordinary visual canvas.
Shooting Spots & Production Facilities
Filmed on location in Brazil at soundstages: Cipal - Carlos Imperial Produções Artísticas (Primary Studio Soundstage), L.M. Produções Cinematográficas (Primary Studio Soundstage). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Milton Moraes portrays Key Narrative Character (Lead Protagonist)
- Tânia Scher portrays Key Narrative Character (Lead Protagonist)
- Kate Lyra portrays Key Narrative Character (Primary Co-Star)
- Carlos Imperial portrays Key Narrative Character (Primary Co-Star)
- Jece Valadão portrays Key Narrative Character (Key Supporting Role)
- Myriam Pérsia portrays Key Narrative Character (Key Supporting Role)
- Paulo Silvino portrays Key Narrative Character (Key Supporting Role)
- Vera Gimenez portrays Key Narrative Character (Key Supporting Role)
- Lajar Muzuris portrays Key Narrative Character (Key Supporting Role)
- Marza de Oliveira portrays Key Narrative Character (Key Supporting Role)
- Cesar Ladeira Filho portrays Key Narrative Character (Featured Ensemble)
- Miguel Carrano portrays Key Narrative Character (Featured Ensemble)
Key Filmmaking Crew
Directed by Carlos Imperial. Written by Carlos Imperial, Ipojuca Pontes, José Renato. Produced by Geraldo Brocchi, Luiz de Miranda Corrêa. Original Music by Zé Rodrix. Cinematography by Murilo Salles. Film Editing by Carlos Imperial. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.
Behind-the-Scenes Production Secrets & Trivia
- Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for Um Edifício Chamado 200. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
- Milton Moraes's Rigorous Character Immersion & Training: To prepare for their demanding role in Um Edifício Chamado 200, Milton Moraes underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Tânia Scher. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Carlos Imperial concealed subtle visual Easter eggs throughout Um Edifício Chamado 200, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (8.0/10): Um Edifício Chamado 200 achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Um Edifício Chamado 200 was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1971 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1972 - 1973 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1973 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (September 23, 1974): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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