Official Uncut Synopsis & Storyline
On another planet which resembles the Old West, a die-hard pacifist is forced to re-examine his ways after an evil alien bandit and his gang murder his estranged sheriff father, take over his home town, and threaten his friends.
Shooting Spots & Production Facilities
Filmed on location in United States of America at soundstages: Full Moon Entertainment (Primary Studio Soundstage). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Richard Joseph Paul portrays Zack Stone (Lead Protagonist)
- Jackie Swanson portrays Mattie Chase (Lead Protagonist)
- Andrew Divoff portrays Redeye / Einstein (Primary Co-Star)
- Meg Foster portrays Stell Barr (Primary Co-Star)
- Isaac Hayes portrays Buster (Key Supporting Role)
- Julie Newmar portrays Miss Kitty (Key Supporting Role)
- Carel Struycken portrays Gaunt (Key Supporting Role)
- George Takei portrays Doc Valentine (Key Supporting Role)
- Musetta Vander portrays Lash (Key Supporting Role)
- Jimmie F. Skaggs portrays Buteo (Key Supporting Role)
- Irwin Keyes portrays Bork (Featured Ensemble)
- Mike Genovese portrays Marshall Stone (Featured Ensemble)
- Frank Roman portrays Wormhole (Featured Ensemble)
- Jeff Moldovan portrays Spanner (Featured Ensemble)
- Tim Miller portrays Stinking Turncoat (Featured Ensemble)
- Peter David portrays Cowhand (Featured Ensemble)
- Nadine Emilie Voindrouh portrays Josephine (Featured Ensemble)
- Joe Muzio portrays Two Head (Featured Ensemble)
- Craig Anthony Muzio portrays Two Head (Featured Ensemble)
- Sam Irvin portrays Whipping Boy (Featured Ensemble)
Key Filmmaking Crew
Directed by Sam Irvin. Written by Charles Band, Peter David, Mark Goldstein. Produced by Michael Catalano, Oana Păunescu, Charles Band. Original Music by Pino Donaggio. Cinematography by Adolfo Bartoli. Film Editing by Margeret-Anne Smith. Production Design by Milo. Costume Design by Michael Roche.
Behind-the-Scenes Production Secrets & Trivia
- Commitment to Practical In-Camera Stunts & Massive Sets: During the filming of Oblivion, Sam Irvin and the production team prioritized real, physical sets and practical in-camera effects over excessive green screens. Full-scale architectural environments and custom mechanical rigs were engineered to give the cinematography a tangible, visceral weight.
- Richard Joseph Paul's Rigorous Character Immersion & Training: To prepare for their demanding role in Oblivion, Richard Joseph Paul underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Jackie Swanson. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Sam Irvin concealed subtle visual Easter eggs throughout Oblivion, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (4.9/10): Oblivion achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Oblivion was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1991 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1992 - 1993 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1993 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (April 1, 1994): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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