Official Uncut Synopsis & Storyline
An American paleontologist and a British miner get in a conflict over who has the rights to dig on a site in Kenya.
Shooting Spots & Production Facilities
Filmed on location in United States of America at soundstages: Robert Halmi Inc. (Primary Studio Soundstage), Hallmark Hall of Fame Productions (Primary Studio Soundstage), CBS (Primary Studio Soundstage). Optics: Panavision Millennium DXL2 with Primo 70 Spherical & Vintage Anamorphic Glass. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Elizabeth Montgomery portrays Dr. Diana Firestone (Lead Protagonist)
- Robert Foxworth portrays Tobias Williams (Lead Protagonist)
- Ronald Lacey portrays Dr. Brinkman (Primary Co-Star)
- Lydia Kigada portrays Miriam Sioki (Primary Co-Star)
- Richard Ngatia portrays Enjoro (Key Supporting Role)
- Stephen Greif portrays Grant Ross (Key Supporting Role)
- Ka Vundla portrays Obwa (Key Supporting Role)
- Lou Antonio portrays Dr. Calvin Finch (Key Supporting Role)
- Mick Ndisho Chege portrays Tobias' Foreman (Key Supporting Role)
- Parare portrays Nashar (Key Supporting Role)
- Njeri Karago portrays Photographer (Featured Ensemble)
- Zacky Hinga portrays Teacher (Featured Ensemble)
- Barry Gamer portrays Pilot (Featured Ensemble)
- Sarah Withey portrays Jean Strong (Featured Ensemble)
- Stuart Denny portrays Journalist (Featured Ensemble)
- Shanni Chagger portrays Reporter (Featured Ensemble)
- Daniel Kiare portrays Diana's Student (Featured Ensemble)
- Wilfred Machua portrays Diana's Student (Featured Ensemble)
- Davis Sindiyo portrays Photographer at Press Conference (Featured Ensemble)
Key Filmmaking Crew
Directed by Lou Antonio. Written by John Sweet, Edward Pomerantz. Produced by Robert Halmi Jr.. Original Music by Lalo Schifrin. Cinematography by Charles Correll. Film Editing by Gary Griffin. Production Design by Christian Kelly. Costume Design by Birgitta Bjerke.
Behind-the-Scenes Production Secrets & Trivia
- Commitment to Practical In-Camera Stunts & Massive Sets: During the filming of Face to Face, Lou Antonio and the production team prioritized real, physical sets and practical in-camera effects over excessive green screens. Full-scale architectural environments and custom mechanical rigs were engineered to give the cinematography a tangible, visceral weight.
- Elizabeth Montgomery's Rigorous Character Immersion & Training: To prepare for their demanding role in Face to Face, Elizabeth Montgomery underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Robert Foxworth. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Lou Antonio concealed subtle visual Easter eggs throughout Face to Face, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (5.7/10): Face to Face achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Face to Face was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1987 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1988 - 1989 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1989 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (January 24, 1990): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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