Official Uncut Synopsis & Storyline
Italy 1973. Giuseppe Tritoni (Ugo Tognazzi) is an ultra-right-wing congressman that doesn't agree anymore with his fascist party policy. He contacts many Italian Army officers and built a net of relationship in order to organize a Coup d'Etat (Golpe). Something goes wrong and the Interior Minister (Home Secretary) Mr. Li Masi (Lino Pugliesi) got the all information about the attempted Golpe. So the Minister organizes a counter-Golpe. Tritoni desperately, to save his project, kidnaps the Italian Republic President (Claude Dauphin) that immediately dies for heartache. Now Minister Mr. Li Masi is free to lay down the law to the rest of the country, realizing basically the actual Golpe! Tritoni surrenders and will spend rest of his time trying to sell his ideas about managing Golpe in Africa!
Shooting Spots & Production Facilities
Filmed on location in Italy at soundstages: Dean Film (Primary Studio Soundstage). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Ugo Tognazzi portrays On. Giuseppe Tritoni (Lead Protagonist)
- Claude Dauphin portrays Il Presidente della Repubblica (Lead Protagonist)
- Duilio Del Prete portrays Monsignor Sartorello (Primary Co-Star)
- Giuseppe Maffioli portrays Colonnello Barbacane (Primary Co-Star)
- Carla Tatò portrays Marcella Bassi-Lega (Key Supporting Role)
- François Périer portrays On. Gigino Di Cori (Key Supporting Role)
- Lino Puglisi portrays On. Li Masi (Key Supporting Role)
- Pino Zac portrays Armando Caffè (Key Supporting Role)
- Tino Bianchi portrays On. Mazzante (Key Supporting Role)
- Antonino Faà di Bruno portrays Colonnello Ribaud (Key Supporting Role)
- Vincenzo Falanga portrays Tarcisio "Ciccio" Introna (Featured Ensemble)
- Giancarlo Fusco portrays Colonnello Furas (Featured Ensemble)
- Barbara Herrera portrays Contessa Amelia Di Amatrice (Featured Ensemble)
- Renzo Marignano portrays Tenente Branzino (Featured Ensemble)
- Camillo Milli portrays Colonnello Aguzzo (Featured Ensemble)
- Alberto Postorino portrays il colonnello strabico (Featured Ensemble)
- Gianni Solaro portrays On. Cicero (Featured Ensemble)
- Pietro Tordi portrays Generale Bassi-Lega (Featured Ensemble)
- Max Turilli portrays Colonnello Turzilli (Featured Ensemble)
- Salvatore Biliardo portrays Colonnello Automatikos (Featured Ensemble)
- Bruno Boschetti portrays Key Narrative Character (Featured Ensemble)
- Pietro Biondi portrays Professor Pube (Featured Ensemble)
- Giuseppe Castellano portrays Franz Cavicchia (Featured Ensemble)
- Luciano Catenacci portrays benzinaio (Featured Ensemble)
Key Filmmaking Crew
Directed by Mario Monicelli. Written by Mario Monicelli, Furio Scarpelli, Agenore Incrocci. Produced by Adriano De Micheli, Pio Angeletti. Original Music by Carlo Rustichelli. Cinematography by Alberto Spagnoli. Film Editing by Ruggero Mastroianni. Production Design by Lorenzo Baraldi. Costume Design by Piero Tosi.
Behind-the-Scenes Production Secrets & Trivia
- Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for We Want the Colonels. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
- Ugo Tognazzi's Rigorous Character Immersion & Training: To prepare for their demanding role in We Want the Colonels, Ugo Tognazzi underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Claude Dauphin. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Mario Monicelli concealed subtle visual Easter eggs throughout We Want the Colonels, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (6.6/10): We Want the Colonels achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of We Want the Colonels was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1970 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1971 - 1972 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1972 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (March 2, 1973): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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