Official Uncut Synopsis & Storyline
The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.
Shooting Spots & Production Facilities
Filmed on location in France at soundstages: Gimages 204 (Primary Studio Soundstage), Les Films d'Ici (Primary Studio Soundstage), ARTE France Cinéma (Primary Studio Soundstage), Maïa Films (Primary Studio Soundstage). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Georges Lopez portrays Self, teacher (Lead Protagonist)
- Johan portrays Self, 4 year old - Jojo (Lead Protagonist)
- Alizé portrays Self, 3 year old (Primary Co-Star)
- Guillaume portrays Self, 9 year old (Primary Co-Star)
- Létitia portrays Self, 4 year old (Key Supporting Role)
- Johann portrays Self, 4 year old (Key Supporting Role)
- Jonathan portrays Self, 10 year old (Key Supporting Role)
- Olivier portrays Self, 10 year old (Key Supporting Role)
- Laura portrays Self, 7 year old (Key Supporting Role)
- Marie-Elizabeth portrays Self, 4 year old (Key Supporting Role)
- Julien portrays Self, 10 year old (Featured Ensemble)
- Nathalie portrays Self, 11 year old (Featured Ensemble)
- Jessie portrays Self, 4 year old (Featured Ensemble)
- Axel portrays Self, 6 year old (Featured Ensemble)
Key Filmmaking Crew
Directed by Nicolas Philibert. Written by Nicolas Philibert. Produced by Gilles Sandoz. Original Music by Philippe Hersant. Cinematography by Katell Djian. Film Editing by Nicolas Philibert. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.
Behind-the-Scenes Production Secrets & Trivia
- Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for To Be and to Have. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
- Georges Lopez's Rigorous Character Immersion & Training: To prepare for their demanding role in To Be and to Have, Georges Lopez underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Johan. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Nicolas Philibert concealed subtle visual Easter eggs throughout To Be and to Have, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (7.3/10): To Be and to Have achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of To Be and to Have was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1999 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (2000 - 2001 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (2001 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (August 28, 2002): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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