Official Uncut Synopsis & Storyline
A witch put to death in 1692 swears vengeance on her persecutors and returns to the present day to punish their descendants.
Shooting Spots & Production Facilities
Filmed on location in United States of America at soundstages: Penaria (Primary Studio Soundstage). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- James Houghton portrays Rev. David Thompson (Lead Protagonist)
- Albert Salmi portrays Inspector Sturgess (Lead Protagonist)
- Lynn Carlin portrays Melinda Leahy (Primary Co-Star)
- Larry Pennell portrays George Leahy (Primary Co-Star)
- Jacquelyn Hyde portrays Elvira Sharack (Key Supporting Role)
- Robert Symonds portrays Pike (Key Supporting Role)
- Heidi Bohay portrays Ann Leahy (Key Supporting Role)
- Maylo McCaslin portrays Sheryl Leahy (Key Supporting Role)
- Carole Goldman portrays Elondra (Key Supporting Role)
- Kim Marie portrays Mary Shire (Key Supporting Role)
- Billy Jayne portrays Justin Leahy (Featured Ensemble)
- Stacy Keach Sr. portrays Rev. Maier (Featured Ensemble)
- John Alderman portrays Romberg (Featured Ensemble)
- Nova Ball portrays Nancy (Featured Ensemble)
- Earl Montgomery portrays Father (Featured Ensemble)
- Michael Cornelison portrays Danny (Featured Ensemble)
- Casey King portrays Jack Hollister (Featured Ensemble)
- Bennett Liss portrays Arty (Featured Ensemble)
- Joshua Cadman portrays Arlen (Featured Ensemble)
Key Filmmaking Crew
Directed by James W. Roberson. Written by Galen Thompson, Michael O. Sajbel, Bret Thompson Plate. Produced by Mario Kassar, Andrew G. Vajna, Ed Carlin. Original Music by David Gibney. Cinematography by Leon Blank. Film Editing by Al Rabinowitz. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.
Behind-the-Scenes Production Secrets & Trivia
- Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for Superstition. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
- James Houghton's Rigorous Character Immersion & Training: To prepare for their demanding role in Superstition, James Houghton underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Albert Salmi. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: James W. Roberson concealed subtle visual Easter eggs throughout Superstition, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (6.1/10): Superstition achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Superstition was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1979 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1980 - 1981 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1981 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (August 26, 1982): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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