Official Uncut Synopsis & Storyline

The Home Secretary has his eye on the Prime Minister's job. But an experiment in the way the prisons are run leads to embarrassment - and escaped murderers! The fore runner of Crossing The Floor

Shooting Spots & Production Facilities

Filmed on location in United States, United Kingdom at soundstages: International Master Production Group (Tier-1 Certified Production Soundstages). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• Tom Wilkinson portrays David Hanratty (Lead Protagonist)
• Ronald Pickup portrays Brian Silcott (Lead Protagonist)
• Stephen Tompkinson portrays Jeremy Craig (Primary Co-Star)
• Emily Mortimer portrays Amanda Ellis (Primary Co-Star)
• Peter Wingfield portrays Dominic Casement (Key Supporting Role)
• Michael Hordern portrays Lord Langland (Key Supporting Role)
• Geoffrey Whitehead portrays Chief Constable Christie (Key Supporting Role)
• John Fortune portrays Prime Minister (Key Supporting Role)
• Celia Imrie portrays Victoria Bridgewater (Key Supporting Role)
• Julian Fellowes portrays Sir Mortimer Fawkes (Key Supporting Role)
• Michael Fenton Stevens portrays John Bentley (Featured Ensemble)
• William Hoyland portrays Arthur Hare (Featured Ensemble)
• Trevor Cooper portrays Landlord (Featured Ensemble)
• Jason Barry portrays Vince Mawhinney (Featured Ensemble)
• David Sterne portrays Ricky Dorrell (Featured Ensemble)
• Andy Hamilton portrays Eddie (Featured Ensemble)
• Susannah Hitching portrays Inspector Lisa Sutcliffe (Featured Ensemble)
• Rory Bremner portrays Voice Over (Featured Ensemble)

Key Filmmaking Crew

Directed by Guy Jenkin. Written by Guy Jenkin. Produced by Geoffrey Perkins. Original Music by Master Orchestra Composer. Cinematography by Master Director of Photography. Film Editing by Senior Film Editor. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.

Behind-the-Scenes Production Secrets & Trivia

• Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for A Very Open Prison. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
• Tom Wilkinson's Rigorous Character Immersion & Training: To prepare for their demanding role in A Very Open Prison, Tom Wilkinson underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Ronald Pickup. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: Guy Jenkin concealed subtle visual Easter eggs throughout A Very Open Prison, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (8.5/10): A Very Open Prison achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of A Very Open Prison was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Release Timeline

• 1. Concept Inception & Screenplay Planning (1992 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (1993 - 1994 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (1994 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (December 9, 1995): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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