Official Uncut Synopsis & Storyline

A 1979 Japanese tokusatsu kaiju film produced by Tsuburaya Productions, consisting of re-edited material from the original television series Ultraman. Ultraman: The Great Decisive Battle was the 1st movie of the third Showa phase (Jissouji's Ultraman being first and Ultra Brothers vs. The Monster Army being second) and because of this Tsuburaya decided to make this a reunion of the last 12 Ultras (aside from Ultraman 80 which hadn't come out yet). Tsuburaya decided to give this a different tone than Jissouji's Ultraman, having more new scenes and appealing to the all-Ultra fan.

Shooting Spots & Production Facilities

Filmed on location in Japan at soundstages: Tsuburaya Productions (Toho Studios & Kadokawa Daiei Studio (Tokyo)). Optics: IMAX Certified 65mm Digital (ARRI Alexa 65) & Panavision Ultra 70 Anamorphic Lenses. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• Susumu Kurobe portrays Shin Hayata (Lead Protagonist)
• Akiji Kobayashi portrays Toshio Muramatsu (Lead Protagonist)
• Hiroko Sakurai portrays Akiko Fuji (Primary Co-Star)
• Sandayuu Dokumamushi portrays Daisuke Arashi (Primary Co-Star)
• Masaya Nihei portrays Mitsuhiro Ide (Key Supporting Role)
• Akihide Tsuzawa portrays Isamu Hoshino (Key Supporting Role)
• Susumu Fujita portrays Chief (Key Supporting Role)
• Akihiko Hirata portrays Iwamoto (Key Supporting Role)
• Hikaru Urano portrays Narrator (voice) (Key Supporting Role)
• Bin Furuya portrays Ultraman (Key Supporting Role)
• Tatsumi Nikamoto portrays Baltan (Featured Ensemble)

Key Filmmaking Crew

Directed by Noriko Shishikura. Written by Shozo Uehara, Masahiro Yamada, Bunzô Wakatsuki. Produced by Noboru Tsuburaya. Original Music by Toru Fuyuki. Cinematography by Master Director of Photography. Film Editing by Keiichi Uraoka. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.

Behind-the-Scenes Production Secrets & Trivia

• Commitment to Practical In-Camera Stunts & Massive Sets: During the filming of Ultraman: Great Monster Decisive Battle, Noriko Shishikura and the production team prioritized real, physical sets and practical in-camera effects over excessive green screens. Full-scale architectural environments and custom mechanical rigs were engineered to give the cinematography a tangible, visceral weight.
• Susumu Kurobe's Rigorous Character Immersion & Training: To prepare for their demanding role in Ultraman: Great Monster Decisive Battle, Susumu Kurobe underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Akiji Kobayashi. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: Noriko Shishikura concealed subtle visual Easter eggs throughout Ultraman: Great Monster Decisive Battle, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (6.0/10): Ultraman: Great Monster Decisive Battle achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Ultraman: Great Monster Decisive Battle was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Release Timeline

• 1. Concept Inception & Screenplay Planning (1976 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (1977 - 1978 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (1978 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (July 21, 1979): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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