Official Uncut Synopsis & Storyline
A middle-aged plumber quits his job and questions his life after seeing somebody his own age suddenly die from a heart attack on his way to work.
Shooting Spots & Production Facilities
Filmed on location in Italy at soundstages: Titanus (Primary Studio Soundstage). Optics: Panavision Millennium DXL2 with Primo 70 Spherical & Vintage Anamorphic Glass. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Salvo Randone portrays Cesare Conversi (Lead Protagonist)
- Franco Sportelli portrays Amilcare Franceschelli (Lead Protagonist)
- Regina Bianchi portrays Giulia (Primary Co-Star)
- Marcella Valeri portrays Graziella's Mother (Primary Co-Star)
- Angela Minervini portrays Graziella (Key Supporting Role)
- Renato Maddalena portrays Key Narrative Character (Key Supporting Role)
- Alberto Amato portrays Vinicio's Accomplice (Key Supporting Role)
- Giulio Battiferri portrays Spartaco (Key Supporting Role)
- Vittorio Bottone portrays Key Narrative Character (Key Supporting Role)
- Lando Buzzanca portrays Cesare's Son (Key Supporting Role)
- Aldo Dini portrays Key Narrative Character (Featured Ensemble)
- Pasquale Esposito portrays Key Narrative Character (Featured Ensemble)
- Vincenzo Falanga portrays Mazzolatore (Featured Ensemble)
- Egidio Porzia portrays Key Narrative Character (Featured Ensemble)
- Enrico Salvatore portrays Key Narrative Character (Featured Ensemble)
- Silva Silvi portrays Key Narrative Character (Featured Ensemble)
- Paolo Ferrari portrays Vinicio (Featured Ensemble)
- Vittorio Caprioli portrays Professor (Featured Ensemble)
- Calogero Azzaretto portrays Train Passenger (uncredited) (Featured Ensemble)
- Adriana Bruno portrays Tram Passenger (uncredited) (Featured Ensemble)
- Nestore Cavaricci portrays Museum Attendant (uncredited) (Featured Ensemble)
- Thea Fleming portrays Tram Passenger (uncredited) (Featured Ensemble)
- Piero Guccione portrays Painter (uncredited) (Featured Ensemble)
- Orlando Pallamari portrays Tribunal Bar Client (uncredited) (Featured Ensemble)
Key Filmmaking Crew
Directed by Elio Petri. Written by Tonino Guerra, Carlo Romano, Elio Petri. Produced by Goffredo Lombardo. Original Music by Ivan Vandor. Cinematography by Ennio Guarnieri. Film Editing by Ruggero Mastroianni. Production Design by Giovanni Checchi. Costume Design by Graziella Urbinati.
Behind-the-Scenes Production Secrets & Trivia
- Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for His Days Are Numbered. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
- Salvo Randone's Rigorous Character Immersion & Training: To prepare for their demanding role in His Days Are Numbered, Salvo Randone underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Franco Sportelli. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Elio Petri concealed subtle visual Easter eggs throughout His Days Are Numbered, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (7.1/10): His Days Are Numbered achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of His Days Are Numbered was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1959 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1960 - 1961 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1961 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (April 5, 1962): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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