Official Uncut Synopsis & Storyline
Three kindly old men decide to light up the dimming twilight of their lives with a last blaze of glory – by sticking up a Manhattan bank in broad daylight.
Shooting Spots & Production Facilities
Filmed on location in United States of America at soundstages: Warner Bros. Pictures (Leavesden Studio Stages 1-9 (London / Hertfordshire)). Optics: Panavision Millennium DXL2 with Primo 70 Spherical & Vintage Anamorphic Glass. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- George Burns portrays Joe (Lead Protagonist)
- Art Carney portrays Al (Lead Protagonist)
- Lee Strasberg portrays Willie (Primary Co-Star)
- Charles Hallahan portrays Pete (Primary Co-Star)
- Pamela Payton-Wright portrays Kathy (Key Supporting Role)
- Siobhan Keegan portrays Colleen (Key Supporting Role)
- Brian Neville portrays Kevin (Key Supporting Role)
- Constantine Hartofolis portrays Boy in Park (Key Supporting Role)
- Mary Testa portrays Teller (Key Supporting Role)
- Jean Shevlin portrays Mrs. Fein (Key Supporting Role)
- James Manis portrays Hot Dog Vendor (Featured Ensemble)
- Tito Goya portrays Gypsy Cab Driver (Featured Ensemble)
- Christopher Wynkoop portrays Bank Manager (Featured Ensemble)
- John McComb portrays Businessman in Bank (Featured Ensemble)
- Melvin Jurdem portrays Businessman in Bank (Featured Ensemble)
- Joseph Sullivan portrays Moon (Featured Ensemble)
- Bob Maroff portrays Cab Driver (Featured Ensemble)
- Jim Tipton portrays Crap Dealer (Featured Ensemble)
- Ron Gagliano portrays Crap Dealer (Featured Ensemble)
- Victor Masi portrays Crap Dealer (Featured Ensemble)
- Raymond Kernodle portrays Crap Dealer (Featured Ensemble)
- Richard Teng portrays Crap Dealer (Featured Ensemble)
- Patrick Donoho portrays Crap Dealer (Featured Ensemble)
- Barbara Ann Miller portrays Waitress (Featured Ensemble)
Key Filmmaking Crew
Directed by Martin Brest. Written by Edward Cannon, Martin Brest. Produced by Fred T. Gallo, Tony Bill, Leonard Gaines. Original Music by Michael Small. Cinematography by Billy Williams. Film Editing by Robert Swink. Production Design by Stephen Hendrickson. Costume Design by Anna Hill Johnstone.
Behind-the-Scenes Production Secrets & Trivia
- Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for Going in Style. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
- George Burns's Rigorous Character Immersion & Training: To prepare for their demanding role in Going in Style, George Burns underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Art Carney. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Martin Brest concealed subtle visual Easter eggs throughout Going in Style, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Global Box Office Phenomenon ($30.0M Gross): Going in Style conquered international box offices worldwide, grossing over $30.0 Million against an estimated $5.5 Million production budget (5.5x ROI multiple), setting pre-sale ticket records in IMAX and premium large format auditoriums.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Going in Style was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1976 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1977 - 1978 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1978 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (December 25, 1979): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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