Official Uncut Synopsis & Storyline
Toxic waste dumping in a small Idaho town turns a young boy into horrible mutant monster. The town's police chief and a government scientist team up to stop the monster, which is quickly killing off the town's citizenry.
Shooting Spots & Production Facilities
Filmed on location in United States of America at soundstages: Bill Osco Productions (Primary Studio Soundstage). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Martin Landau portrays Garson Jones (Lead Protagonist)
- Marianne Gordon portrays Laurie (Lead Protagonist)
- Bill Osco portrays Detective Mortimer Lutz (Primary Co-Star)
- José Ferrer portrays Mayor Gordon Lane (Primary Co-Star)
- Dorothy Malone portrays Marge Smith (Key Supporting Role)
- Ruth Buzzi portrays Virginia Lane (Key Supporting Role)
- Murray Langston portrays Arn (Key Supporting Role)
- Kinky Friedman portrays Willis (Key Supporting Role)
- Johnny Dark portrays John (Key Supporting Role)
- Kent Perkins portrays Officer Dudley (Key Supporting Role)
- Roxanne Cybelle portrays Suzie (Featured Ensemble)
- Jerry Maren portrays Monster (Featured Ensemble)
- Richard Marcus portrays Joe the Lab Assistant (Featured Ensemble)
- Robin Stille portrays Girl at Drive-In Theater (uncredited) (Featured Ensemble)
- Vern Stierman portrays Narrator (voice) (uncredited) (Featured Ensemble)
Key Filmmaking Crew
Directed by Jackie Kong. Written by Jackie Kong. Produced by Bill Osco. Original Music by Don Preston. Cinematography by Robert Ebinger. Film Editing by Karin Nowarra. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.
Behind-the-Scenes Production Secrets & Trivia
- Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for The Being. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
- Martin Landau's Rigorous Character Immersion & Training: To prepare for their demanding role in The Being, Martin Landau underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Marianne Gordon. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Jackie Kong concealed subtle visual Easter eggs throughout The Being, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (4.9/10): The Being achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of The Being was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1980 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1981 - 1982 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1982 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (November 18, 1983): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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