Official Uncut Synopsis & Storyline
An impotent husband with a fanatical desire to father children, forces his wife to undergo a dangerous experiment. This results in the birth of a multitude of monstrous THINGS.
Shooting Spots & Production Facilities
Filmed on location in Canada at soundstages: Left Field Productions (Primary Studio Soundstage). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Amber Lynn portrays Reporter (Lead Protagonist)
- Barry J. Gillis portrays Don Drake (Lead Protagonist)
- Bruce Roach portrays Fred Horton (Primary Co-Star)
- Doug Bunston portrays Doug Drake (Primary Co-Star)
- Jan W. Pachul portrays Dr. Lucas (Key Supporting Role)
- Patricia Sadler portrays Susan Drake (Key Supporting Role)
Key Filmmaking Crew
Directed by Andrew Jordan. Written by Andrew Jordan, Barry J. Gillis. Produced by Andrew Jordan, Barry J. Gillis, Lorrinda Collins. Original Music by Jack Procher. Cinematography by Dan Riggs. Film Editing by Andrew Jordan. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.
Behind-the-Scenes Production Secrets & Trivia
- Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for Things. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
- Amber Lynn's Rigorous Character Immersion & Training: To prepare for their demanding role in Things, Amber Lynn underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Barry J. Gillis. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Andrew Jordan concealed subtle visual Easter eggs throughout Things, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (4.0/10): Things achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Things was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1986 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1987 - 1988 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1988 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (September 1, 1989): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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