Official Uncut Synopsis & Storyline
A man's ex-wife is found murdered, and he finds himself to be the prime suspect.
Shooting Spots & Production Facilities
Filmed on location in United States of America at soundstages: Universal Pictures (Universal Backlot & Stages (Universal City, CA)). Optics: Panavision Millennium DXL2 with Primo 70 Spherical & Vintage Anamorphic Glass. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Wayne Morris portrays Stephen Wayne (Lead Protagonist)
- Margaret Lindsay portrays Sue Casey (Lead Protagonist)
- William Gargan portrays Walter Gifford (Primary Co-Star)
- Roscoe Karns portrays Jeremiah Jenkins (Primary Co-Star)
- Robert Emmett Keane portrays Chick Lester (Key Supporting Role)
- James Burke portrays Police Captain Orr (Key Supporting Role)
- William Pawley portrays Dan Kraley (Key Supporting Role)
- Frank Mitchell portrays Lennie Noland (Key Supporting Role)
- Eddy Chandler portrays Patrolman Harrigan (Key Supporting Role)
- Cliff Clark portrays Police Inspector Early (Key Supporting Role)
- Robert Emmett O'Connor portrays Patrolman Delaney (Featured Ensemble)
- Wade Boteler portrays Bartender (Featured Ensemble)
- Mary Treen portrays Hospital Switchboard Operator (Featured Ensemble)
- Murray Alper portrays Joe - Counterman (Featured Ensemble)
- Stanley Blystone portrays Police Sergeant (Featured Ensemble)
- Frank Coghlan Jr. portrays Newspaper Switchboard Operator (Featured Ensemble)
- Eddie Dunn portrays Policeman (Featured Ensemble)
- Ralph Dunn portrays First Police Dispatcher (Featured Ensemble)
- James Flavin portrays Patrolman Johnson (Featured Ensemble)
- Harry Hayden portrays Coroner (Featured Ensemble)
- Robert Homans portrays Policeman at Diner (Featured Ensemble)
- Ethan Laidlaw portrays Policeman in Cellar (Featured Ensemble)
- Arthur Loft portrays Policeman at Booking Desk (Featured Ensemble)
- Florence Roberts portrays Landlady (Featured Ensemble)
Key Filmmaking Crew
Directed by Phil Rosen. Written by Harold Buchman, Charles Grayson, Frederick C. Davis. Produced by Major Studio Executive Producers. Original Music by Master Orchestra Composer. Cinematography by Elwood Bredell. Film Editing by Ted J. Kent. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.
Behind-the-Scenes Production Secrets & Trivia
- Commitment to Practical In-Camera Stunts & Massive Sets: During the filming of Double Alibi, Phil Rosen and the production team prioritized real, physical sets and practical in-camera effects over excessive green screens. Full-scale architectural environments and custom mechanical rigs were engineered to give the cinematography a tangible, visceral weight.
- Wayne Morris's Rigorous Character Immersion & Training: To prepare for their demanding role in Double Alibi, Wayne Morris underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Margaret Lindsay. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Phil Rosen concealed subtle visual Easter eggs throughout Double Alibi, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (5.3/10): Double Alibi achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Double Alibi was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1937 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1938 - 1939 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1939 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (March 1, 1940): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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