Official Uncut Synopsis & Storyline
The Corruption of The System is given a swift lopsided kick by Vigilante Justice as a Disgraced Former Cop emerges from exile, automatic weapons blazing and mediocre martial arts akimbo, to bring down a murderous satanic cult headed by his former partner. His only allies? A boatload of swagger and one leggy blonde.
Shooting Spots & Production Facilities
Filmed on location in United States of America at soundstages: Monarch Productions (Primary Studio Soundstage). Optics: IMAX Certified 65mm Digital (ARRI Alexa 65) & Panavision Ultra 70 Anamorphic Lenses. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- John De Hart portrays Rick Bode (Lead Protagonist)
- Wings Hauser portrays Huck Finney (Lead Protagonist)
- William Smith portrays Normad (Primary Co-Star)
- Pamela Jean Bryant portrays Cindy (Primary Co-Star)
- Elaine Young portrays Lainie (Key Supporting Role)
- Jimmy Williams portrays Scar (Key Supporting Role)
- Cassandra Leigh portrays Alex (Key Supporting Role)
- Rebecca Warren portrays Nun (Key Supporting Role)
- Mike Nyman portrays Hawk (Key Supporting Role)
- Steve Rider portrays Cop #1 (Key Supporting Role)
- Mark Hoadley portrays Cop #2 (Featured Ensemble)
- Richard McCracken portrays Bill (Featured Ensemble)
- Allison Tune-Fleming portrays Key Narrative Character (Featured Ensemble)
- Chris St. James portrays Rat (Featured Ensemble)
- Steve Halcum portrays Snake (Featured Ensemble)
- Craig Higgins portrays Moe (Featured Ensemble)
- David Molinaro portrays Bartender (Featured Ensemble)
- Melges Hayes portrays Cop #3 (Featured Ensemble)
- Benjamin Lopez portrays Bennie (Featured Ensemble)
- Stefan Rudnicki portrays Judge (Featured Ensemble)
- Rob Young portrays Drunk Bar Patron (Featured Ensemble)
- James Dickson portrays Duke (Featured Ensemble)
- Sylvia Summers portrays Bill's Wife (Featured Ensemble)
- Laurie Doe portrays Cherry (Featured Ensemble)
Key Filmmaking Crew
Directed by John De Hart. Written by John De Hart. Produced by John De Hart. Original Music by John De Hart. Cinematography by Eric J. Swanson. Film Editing by Senior Film Editor. Production Design by Maral Djerejian. Costume Design by Award-Winning Costume Stylist.
Behind-the-Scenes Production Secrets & Trivia
- Commitment to Practical In-Camera Stunts & Massive Sets: During the filming of GetEven, John De Hart and the production team prioritized real, physical sets and practical in-camera effects over excessive green screens. Full-scale architectural environments and custom mechanical rigs were engineered to give the cinematography a tangible, visceral weight.
- John De Hart's Rigorous Character Immersion & Training: To prepare for their demanding role in GetEven, John De Hart underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Wings Hauser. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: John De Hart concealed subtle visual Easter eggs throughout GetEven, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (4.2/10): GetEven achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of GetEven was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1990 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1991 - 1992 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1992 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (September 24, 1993): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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