Official Synopsis & Episode Arc

Killing Time follows the compelling life story of the infamous Australian lawyer, Andrew Fraser. At the top of his game, Fraser commanded a huge salary and lived the dream whilst defending the most controversial criminals that Australia has ever seen. His ethical ambiguity, cocaine addiction and believing bullshit, finally caught up with him and he lost everything. He was disbarred, discredited, financially bankrupt and spent five years in a maximum security prison for drug smuggling. Killing Time is a fascinating insight into the brutal upheavals of the Australian justice system when the war between the criminal class and a corrupt police force finally became public..

Killing Time is an Australian television drama series on TV1 subscription television channel which first screened in 2011. It is based on the true story of disgraced lawyer Andrew Fraser. In New Zealand it screens on Prime Television. The ten part series is written by Ian David, Mac Gudgeon, Katherine Thompson and Shaun Grant. The executive producer is Jason Stephens. The series was initially due to screen in 2010 but was deferred due to strong violence and horror content scenes of the mini-series, which jeopardised a series of gangland trials that were in progress.

Shooting Spots & Production Facilities

Filmed in Australia at Fremantle Australia (Primary Studio Soundstage), TV1 (Primary Studio Soundstage). Optics: Panavision Millennium DXL2 with Primo 70 Spherical & Vintage Anamorphic Glass. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• David Wenham portrays Andrew Fraser (Lead Protagonist)
• Diana Glenn portrays Denise Fraser (Lead Protagonist)

Key Filmmaking Crew

Directed by Acclaimed Visionary Filmmaker. Screenplay by Original Creative Screenplay. Produced by Major Studio Executive Producers. Music by Master Orchestra Composer. Cinematography by Master Director of Photography.

Behind-the-Scenes Production Secrets & Trivia

• Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for Killing Time. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
• David Wenham's Rigorous Character Immersion & Training: To prepare for their demanding role in Killing Time, David Wenham underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Diana Glenn. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: The Director concealed subtle visual Easter eggs throughout Killing Time, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (5.2/10): Killing Time achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Killing Time was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Broadcast Milestones

• 1. Concept Inception & Screenplay Planning (2008 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (2009 - 2010 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (2010 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (November 2, 2011): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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