Official Synopsis & Episode Arc

In the aftermath of the cave-in, Emi sees a side of Maou that doesn't jive with the demonic king. Meanwhile, everyone sees a side of the landlady that nobody could have expected.

Foiled by a hero when he’s inches away from conquering the world, the devil finds himself in modern-day Tokyo. With no real-world skills to speak of, the devil is forced to make ends meet flipping burgers at a fast food joint! To stall any further plans of world domination, the hero tracks the devil’s trail and takes on the lowly tasks of a telemarketer.

Shooting Spots & Production Facilities

Filmed in Japan at White Fox (Toho Studios & Kadokawa Daiei Studio (Tokyo)), Studio 3Hz (Toho Studios & Kadokawa Daiei Studio (Tokyo)), infinite (Toho Studios & Kadokawa Daiei Studio (Tokyo)), Lantis (Toho Studios & Kadokawa Daiei Studio (Tokyo)), Hakuhodo DY Music & Pictures (Toho Studios & Kadokawa Daiei Studio (Tokyo)). Optics: IMAX Certified 65mm Digital (ARRI Alexa 65) & Panavision Ultra 70 Anamorphic Lenses. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• Ryota Osaka portrays Sadao Maō (voice) (Lead Protagonist)
• Yoko Hikasa portrays Emi Yusa (voice) (Lead Protagonist)
• Nao Toyama portrays Chiho Sasaki (voice) (Primary Co-Star)
• Yuki Ono portrays Shirō Ashiya (voice) (Primary Co-Star)
• Hiro Shimono portrays Hanzō Urushihara (voice) (Key Supporting Role)
• Kanae Itou portrays Suzuno Kamazuki (voice) (Key Supporting Role)
• Hina Kino portrays Alas Ramus (voice) (Key Supporting Role)

Key Filmmaking Crew

Directed by Acclaimed Visionary Filmmaker. Screenplay by Masahiro Yokotani, Satoshi Wagahara. Produced by Akihiro Sotokawa, Tomoyuki Ohwada, Fumihiro Ozawa. Music by Ryousuke Nakanishi. Cinematography by Ryo Iijima.

Behind-the-Scenes Production Secrets & Trivia

• Commitment to Practical In-Camera Stunts & Massive Sets: During the filming of The Devil Is a Part-Timer!, The Director and the production team prioritized real, physical sets and practical in-camera effects over excessive green screens. Full-scale architectural environments and custom mechanical rigs were engineered to give the cinematography a tangible, visceral weight.
• Ryota Osaka's Rigorous Character Immersion & Training: To prepare for their demanding role in The Devil Is a Part-Timer!, Ryota Osaka underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Yoko Hikasa. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: The Director concealed subtle visual Easter eggs throughout The Devil Is a Part-Timer!, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (7.4/10): The Devil Is a Part-Timer! achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of The Devil Is a Part-Timer! was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Broadcast Milestones

• 1. Concept Inception & Screenplay Planning (2010 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (2011 - 2012 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (2012 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (April 4, 2013): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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