Official Synopsis & Episode Arc

Season 1, Episode 1 of Dom.

The story of the residents of a tenement house on Złota Street in Warsaw from 1945 to 1980.

Shooting Spots & Production Facilities

Filmed in Poland at Studio Filmowe Kadr (Primary Studio Soundstage), Telewizja Polska (Primary Studio Soundstage), Zespół Filmowy "Iluzjon" (Primary Studio Soundstage). Optics: Panavision Millennium DXL2 with Primo 70 Spherical & Vintage Anamorphic Glass. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• Halina Rowicka portrays Ewa Talar, żona Andrzeja (Lead Protagonist)
• Tomasz Borkowy portrays Andrzej Talar (Lead Protagonist)
• Jan Englert portrays Rajmund Wrotek (Primary Co-Star)
• Stefan Szmidt portrays Kostek Bawolik (Primary Co-Star)
• Zbigniew Buczkowski portrays Henio Lermaszewski (Key Supporting Role)
• Barbara Sołtysik portrays Teresa Bawolikowa (Key Supporting Role)
• Helena Kowalczykowa portrays Lermaszewska, matka Henia (Key Supporting Role)
• Marek Bukowski portrays Mietek Pocięgło, syn Lidki Jasińskiej (Key Supporting Role)
• Monika Kwiatkowska portrays Majka Żmuda, miłość Kajtka (Key Supporting Role)
• Hanna Lachman portrays Wanda Jasińska, babka Mietka Pocięgło (Key Supporting Role)
• Bożena Dykiel portrays Halina Wrotek, żona Rajmunda (Featured Ensemble)
• Jerzy Bończak portrays dozorca Edward Prokop (Featured Ensemble)
• Hanna Śleszyńska portrays Lodzia "Cielęcina", handlarka mięsem (Featured Ensemble)
• Mieczysław Hryniewicz portrays Czesio (Featured Ensemble)
• Magdalena Stużyńska portrays Danusia, żona Henia Lermaszewskiego (Featured Ensemble)
• Piotr Fronczewski portrays fotografik Adam Rygier, miłość Martyny Stroynowskiej (Featured Ensemble)
• Waldemar Barwiński portrays Kajtek Talar, syn Ewy i Andrzeja (Featured Ensemble)

Key Filmmaking Crew

Directed by Jan Łomnicki. Screenplay by Jerzy Janicki, Andrzej Mularczyk. Produced by Major Studio Executive Producers. Music by Waldemar Kazanecki. Cinematography by Master Director of Photography.

Behind-the-Scenes Production Secrets & Trivia

• Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for Dom. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
• Halina Rowicka's Rigorous Character Immersion & Training: To prepare for their demanding role in Dom, Halina Rowicka underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Tomasz Borkowy. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: Jan Łomnicki concealed subtle visual Easter eggs throughout Dom, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (7.3/10): Dom achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Dom was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Broadcast Milestones

• 1. Concept Inception & Screenplay Planning (1977 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (1978 - 1979 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (1979 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (November 9, 1980): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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